CD Spotlight

Paintings for Jazz Orchestra (1995)

Paintings for Jazz Orchestra (1995)This recording was inspired by six paintings by Stuart Davis. Here is a sampling of the response to this recording:

"Paintings is quite a success. . . genuinely contemporary big band jazz, likely to appeal to [those] who share an interest in Charles Ives and Duke Ellington."
Jazz Journal International

"Les soloistes et l'ecriture traduit parfaitment cette abstraction."
Jazz Magazine

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Home arrow Upcoming Events arrow Recent: New Music for Jazz Orchestra at MIT
Recent: New Music for Jazz Orchestra at MIT
Aardvark Jazz Orchestra at MIT
The Aardvark Jazz Orchestra - Democratic Vistas?
Ellington Extrapolations & “Social Significance” Works by Mark Harvey
Saturday, April 29, 2017 at 8:00 pm 
MIT Kresge Auditorium
77 Massachusetts Avenue
Cambridge, MA 02139
 
MIT Music and Theater Arts presented Mark Harvey and his Aardvark Jazz Orchestra at Kresge Auditorium, Saturday, April 29 at 8:00 pm, 77 Massachusetts Avenue, Cambridge, MA 02139. 
 
The concert, called Democratic Vistas?,  celebrated Duke Ellington’s birthday (April 29, 1899) by honoring his tradition of “social significance” compositions.   Works by Harvey in this vein included Boston Boy (for the late Nat Hentoff), the premiere of Main Man for noted impresario Fred Taylor, and first performances of contemporary tone-parallels -- Fake News Blewz, Swamp-a-rama, and Waltz of the Oligarchs.  
 
In addition, the band performed the premiere of Harvey’s piece Studio Four in honor of the late Steve Schwartz, beloved radio host of WGBH Jazz from Studio Four.  Also on the program: a reading from Walt Whitman’s Democratic Vistas, and a performance of Harvey’s No Walls, an anthem of hope and inclusivity. The April 29 event was part of Jazz Boston’s Jazz Week, with this year’s theme of Thank You Fred Taylor.  
 
Event photos courtesy of JazzBoston :
The concert celebrated Duke Elllngton's birthday (April 29, 1899) with four of the Duke's compositions. Longtime Aardvark vocalist Grace Hughes sings the first, "Tell Me It's the Truth."
Hughes delivers an exceptionally beautiful rendition of Ellington's "Come Sunday."
 
Jerry Edwards, whose extraordinary voice range, sense of humor, and scatting genius have made him an Aardvark favorite, sings "I Got It Bad and That Ain't Good."
Mark Sumner Harvey receives a lengthy standing ovation and a bouquet.
Two crazy Aardvark fans, Dotty Guild and Connie Bigony, release some pent-up energy.
 
 
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